Contributed by Jon Russelburg. His live album is available for free on Noisetrade, and his debut EP “Ghost” is available on iTunes.
I have been asking Brandon Miles for a while to let me help out with the website, or in any way that I can with the Bad Apple Records family. When we met, I was a punk kid playing an acoustic guitar and singing sad songs before ever having a broken heart.
Now I’m an adult playing sad songs in a rock band. Well, I do that on the side. For my day job, I am the online editor of Popular Woodworking Magazine. So it is only logical that I come on the Bad Apple Records staff/family/community/flock as the online editor.
I will still be writing and playing music occasionally, but over the years I have become more interested in the logistical side of the label. Brandon has graciously let me step in and work behind the scenes more for the label (although, I may have enough work hours to be a dentist after all of the teeth I had to pull).
So here is what is up. I will be running the site behind the scenes along with Brandon. I will edit most of the blogs (which is nice when your blog writers are also songwriters), and I will write on this site pretty frequently.
We are looking to push the blog, and Bad Apple Records along side of it, forward. We really believe in the product that we have. We have a line up of killer artist that vary from hip-hop to acoustic to grungy rock and roll. We have too much talent to just let it all go to waste.
We had a blast playing the show and were really proud of how the bootleg turned out. Keep in mind that it was just one microphone (actually a built-in camera mic) recording us. It’s a fun album and I hope you all like it.
I am also on the most recent episode of the Bad Apple Records Podcast, where Brandon and I talk about Kanye West and a whole slew of other topics that we aren’t qualified to talk about. I tell a story about my dad being a man’s man and working on cars by himself. You can check that episode out on iTunes or Spreaker.
I’m excited about the future … until next time, go watch this video of Andy from Why They Came and tell me that he doesn’t look like a ginger slash.
Contributed by Taylor Dooley from Wintering. Her EP, Close Enough, is now available on iTunes. Listen to the title track below this article!
When Brandon first approached me about writing an article on creativity and inspiration, I was really excited until I realized that meant having to welcome people into the inner workings of my mind (even more so than a song usually does). Performing a song for an audience can be nerve-wracking. If you’re lucky enough to have a crowd of active listeners, you know they’re probably dissecting every word. Songwriting, in and of itself, is fairly intimate, so writing an article about such a sacred process is pretty terrifying if you ask me. However, I have decided to be open and honest in the name of “art.”
While I haven’t always been a songwriter, I have always been a writer in some capacity, so there was no distinctive shift when I began seriously writing songs. Poetry and personal narratives were my favorite writing styles, so I saw songwriting as a fusion of the two. Though I can’t say that I’ve ever had a formula, I can say that every song is a personal narrative of sorts and that’s where the ideas are born.
Last week Sarah and I watched Kanye West’s performance on SNL. I have to admit, there is something about Kanye West. You have to admit that he is a fascinating individual, even if you don’t like his music. I love the sound of his earlier work, but I never thought much of his lyrics. Watching his performance of Ultralight Beam, I started to wonder if I should give a second look.
Reddit seemed to be full of memes questioning why everyone suddenly loved Kanye West after years of using him for parody fodder and internet ridicule. Apparently others heard Life of Pablo and had a moment similar to mine.
But then I noticed something else. Kanye West seemed to be losing his mind on Twitter. I don’t know much about Kanye personally, but I do know he was once introduced on a stage as one of the owners of Tidal, a competitor music subscription service introduced by Jay Z, and a variety of other music artists including Beyoncé, Rihanna, Nicki Minaj, Daft Punk, Jack White, Madonna, Arcade Fire, Alicia Keys, Usher, Chris Martin, Calvin Harris, deadmau5, Jason Aldean and J. Cole.
Being an artist is strange. It’s difficult to explain or talk about. Especially for the local, struggling artist. Not all struggling artists are depressed or even upset by the way. I’d say something cliche like, “We knew what we were signing up for,” except for the fact we never really signed up for anything. It’s just who we are.
If you put it down on paper, it wouldn’t make sense. Like being a farmer, if anyone knew how much work it took for so little payoff, they would immediately scrutinize (or even criticize) with the all-too-familiar, “Why do you do this again?” In fact, we have these conversations with our families and friends all the time. And sure, sometimes it’s a downer, but only if we let it be. Usually, we’re pretty excited about our ideas and plans, even if they don’t seem to make sense to most of the people around us.
I still remember it well. My friends and I would quickly eat our lunches in the middle school cafeteria. I would gobble down my PB&J and slug my juice box while my buddies polished off their square pizza slices, milk cartons, and tater tots. We were growing boys, so we had to eat fast, but we had other things in mind than our development. As soon as we were finished, we would start banging out a rhythm with our empty food containers and trays, including a “boom, boom, slap” with our hands on the top of the rollaway lunch tables. We were trying to get the same feel we got when we blasted our music at home after school and on the weekends. Little did we know that we were just continuing a musical tradition that has gone on for centuries and perhaps eons.
Turning everyday objects into musical instruments was actually the trigger behind most of the American musical styles that emerged in the 20th century. In poor black communities, especially, West African musical traditions paired with segregated schools barring musical education or the availability of instruments made people go for the DIY route instead. This is certainly not something unique to West African cultures. It’s clear that humans all over the world are at least three things: social, cultural, and musical. Bluegrass would never exist if not for the Scots-Irish.
Many of us were able to locate, save up, and buy the many instruments that we enjoy playing. We also have the ability to learn most musical styles fairly easily and cheaply. This was not the case, however, for the musicians in poor black communities during the 20th century. Little did they know that they would be starting a set of American musical styles that have gone on to dominate music worldwide. Continue reading Invention… the Mother of Music
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